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"Blue," (portrait of Elizabeth Taylor), by JoshBallpoint Bic pen on smooth Bristol, 10x10October, 2014*I chose to leave the scar visible on her throat as in the original photo by Douglas Kirkland. She become seriously ill partway through the filming of “Cleopatra” and had to have an emergency tracheotomy. The scar is visible in Kirkland’s photo as well as a number of scenes in the movie.
Zoom Info
Camera
Nikon COOLPIX L100
ISO
400
Aperture
f/4.7
Exposure
1/41th
Focal Length
19mm

"Blue," (portrait of Elizabeth Taylor), by Josh
Ballpoint Bic pen on smooth Bristol, 10x10
October, 2014

*I chose to leave the scar visible on her throat as in the original photo by Douglas Kirkland. She become seriously ill partway through the filming of “Cleopatra” and had to have an emergency tracheotomy. The scar is visible in Kirkland’s photo as well as a number of scenes in the movie.

A brief excerpt from “On Living in An Atomic Age”

"In one way we think a great deal too much of the atomic bomb. "How are we to live in an atomic age?" I am tempted to reply: "Why, as you would have lived in the sixteenth century when the plague visited London almost every year, or as you would have lived in a Viking age when raiders from Scandinavia might land and cut your throat any night; or indeed, as you are already living in an age of cancer, an age of syphilis, an age of paralysis, an age of air raids, an age of railway accidents, an age of motor accidents.

"In other words, do not let us begin by exaggerating the novelty of our situation. Believe me, dear sir or madam, you and all whom you love were already sentenced to death before the atomic bomb was invented: and quite a high percentage of us were going to die in unpleasant ways. We had, indeed, one very great advantage over our ancestors - anaesthetics; but we have that still. It is perfectly ridiculous to go about whimpering and drawing long faces because the scientists have added one more chance of painful and premature death to a world which already bristled with such chances and in which death itself was not a chance at all, but a certainty.

"This is the first point to be made: and the first action to be taken is to pull ourselves together. If we are all going to be destroyed by an atomic bomb, let that bomb when it comes find us doing sensible and human things - praying, working, teaching, reading, listening to music, bathing the children, playing tennis, chatting to our friends over a pint and a game of darts - not huddled together like frightened sheep and thinking about bombs. They may break our bodies (a microbe can do that) but they need not dominate our minds."

(C.S. Lewis)


A welcome reassurance given all that’s going on these days…

WIP “Portrait of a Woman Wearing a Hat” by Josh
Charcoal, 11x14
September, 2014
Process for a drawing. First a rough sketch. Next a comparison to the reference photo (some parts were bang on, some needed adjusting). Then filling in details and shading. I worked from left to right and top to bottom. I’m right-handed, so this helps to prevent the charcoal from smudging as much.
Finished version soon!
Zoom Info
WIP “Portrait of a Woman Wearing a Hat” by Josh
Charcoal, 11x14
September, 2014
Process for a drawing. First a rough sketch. Next a comparison to the reference photo (some parts were bang on, some needed adjusting). Then filling in details and shading. I worked from left to right and top to bottom. I’m right-handed, so this helps to prevent the charcoal from smudging as much.
Finished version soon!
Zoom Info
WIP “Portrait of a Woman Wearing a Hat” by Josh
Charcoal, 11x14
September, 2014
Process for a drawing. First a rough sketch. Next a comparison to the reference photo (some parts were bang on, some needed adjusting). Then filling in details and shading. I worked from left to right and top to bottom. I’m right-handed, so this helps to prevent the charcoal from smudging as much.
Finished version soon!
Zoom Info
WIP “Portrait of a Woman Wearing a Hat” by Josh
Charcoal, 11x14
September, 2014
Process for a drawing. First a rough sketch. Next a comparison to the reference photo (some parts were bang on, some needed adjusting). Then filling in details and shading. I worked from left to right and top to bottom. I’m right-handed, so this helps to prevent the charcoal from smudging as much.
Finished version soon!
Zoom Info

WIP “Portrait of a Woman Wearing a Hat” by Josh

Charcoal, 11x14

September, 2014

Process for a drawing. First a rough sketch. Next a comparison to the reference photo (some parts were bang on, some needed adjusting). Then filling in details and shading. I worked from left to right and top to bottom. I’m right-handed, so this helps to prevent the charcoal from smudging as much.

Finished version soon!

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